If you can’t make it to the SEGD national conference this year or want to see what we are up up to in D.C., you might want to follow the Whitehouse & Company Twitter feed. We’ll be updating throughout the event and bringing our unique view of the show.
There will also be tons of spelling errors, because there is no spell check on the iPhone, so you’ll have that to look forward to as well.
Let’s get environmental.
Whitehouse & Company will be closed during the 2010 SEGD National Conference down in Washington D.C. June 2nd – June 5th. We hope to see you there and please feel free to say hello to Ben or Roger.
We will also be live blogging during the conference, so please be sure to check back to find out what find interesting in our nations capital.
Some interesting illuminations in London photographed on my visit there with Ben this month. The inset shows St. Pauls in Covent Garden, known as the actor’s church – the Christmas tree silhouette, projected from the market building, is a great example of low-cost high-visibility environmental graphic design. When I was a student at the AA in the late 50’s, and when this was a real market, we often used to visit an all-night pie stall which lived on the right of the church entrance under the stained-glass window. The other image shows the more well known St. Pauls in the background, behind the National Theatre on the South Bank, whose lighting changes color from day to day. All different and festive examples of creative lighting design.
We have recently put the finishing touches on a web appliction for the New York State Department of Education. Developed in association with the Literacy Assistance Center in New York, the ASISTS site allows teachers to record the progress and history of students, and to be able to access this information and update it at any location. Being database driven, it can automatically prepare statistical analyses within any specified parameters, for reporting purposes.
For the technically minded, the site features:
All of which means that it is state-of the-art, as well as having a clear graphic hierarchy to enable users to easily navigate and understand this otherwise complex and extensive site.
We recently completed this branding program, in association with DK Holland, for the Morningside Center for Social Responsisbility; a wonderful group who, among other things, foster conflict resolution in our school system. The use of an anthropomorphic M in the mark, and silhouettes in their outreach materials, underlines their core mission. Shown here are boxes for teaching aids for a range of grades, their website, and a bookmark.
The first phase of our work at the Children’s Discovery Museum of the Desert project is now completed. The aluminum shafts display the Museum’s logotype, which assembles itself visually on the pylons as you enter the site. The mural (described in the entry for 23 January, below) features 4,000 tiles to which donors portraits are continually being added, eventually aggregating into an image representing the supporting community and America’s diversity. Due to the success of the project, MGA Partners, who are the architects of this superb building, are now working on the extension of the Museum.
We recently completed this sign system for a Children’s Hospital using photo pictograms for both wayfinding and destination signs to create an accessible and children friendly environment. The system builds on our work with Lighthouse International in New York and features a tactile ledge which is easily located by sight-impaired users, and a new typeface developed by our studio to facilitate tactile reading. Both the sign system and typeface were featured in Roger Whitehouse’s keynote presentation to the International Conference on Universal Design in Kyoto in November.
In today’s Times, it is reported that part of the extensive graphics we have designed for the new monument being constructed at Frederick Douglass Circle, have become the center of a heated controversy. Beneath an eight-foot-tall sculpture of Douglass, by Gabriel Koren, the plans call for a huge quilt in granite, by Algernon Miller, who designed the memorial site, each geometrical element supposedly part of a secret code sewn into family quilts and used along the Underground Railroad to aid slaves in their escape North to freedom. As part of the project, we had prepared a design for a bronze and colored enamel plaque displaying this. Unfortunately, it appears that the basis for this theory, known as Ozella’s Code, published in the book Hidden in Plain View, by Jacqueline Tobin, and much publicized on the Oprah Winfrey show, is now being challenged as potentially bogus. You can read the full account via the Times link above. In the meantime, I guess we better dust off our computer files, and wait for further developments.
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